My Tripod gear
A tripod is not simply about keeping the camera steady — it is about creating the freedom to photograph differently. It allows me to slow down, explore movement and time, and create images that go beyond the possibilities of a single handheld moment.
I regularly get asked questions about my photography gear. That is the reason I’ve compiled a list of my tripod and monopod photography kit. I don’t usually emphasize the gear aspect of my photography, but I hope this is helpful to someone. I am not sponsored. All my gear was acquired with my own funds.
Whether I am working with long exposures, carefully composed fine art images or supporting a heavy camera and telephoto lens, stability becomes part of the creative process.
That is why I work with equipment from Ulanzi, Peak Design and Really Right Stuff. Ulanzi combines versatility with innovative and practical design, Peak Design gives me an exceptionally compact solution when travelling or working on location, while Really Right Stuff ball heads offer the precision, strength and reliability I appreciate in demanding situations.
Each has its own place in my photography, but they share one important quality: they provide stability when I need it, without standing in the way of how I want to create.
Ulanzi Zero Y Carbon
For photography on location, the Ulanzi Zero Y Carbon Tripod gives me the stability I need without adding unnecessary weight to my equipment. Its lightweight carbon-fibre construction makes it particularly practical when I am walking through a city or travelling with a relatively compact camera setup.
Despite its low weight, it provides a stable platform when I want to work with longer exposures, carefully composed images or creative techniques involving movement. I particularly appreciate the compact design and quick setup, allowing me to respond easily when I discover a scene that deserves a more deliberate approach.
For me, a tripod is not simply about keeping the camera perfectly still — it can also create the freedom to photograph in ways that would otherwise be impossible. The Ulanzi Zero Y Carbon combines that creative freedom with portability, making it a natural companion whenever stability, precision and mobility need to come together.
Peak Design Travel Alu
For photography on location, the Peak Design Travel Tripod Aluminium gives me a dependable combination of stability, portability and thoughtful design. Its remarkably compact folded profile makes it easy to carry, while the aluminium construction provides the solid support I need when working with longer exposures or carefully composed images.
I particularly appreciate how quickly the tripod can be unfolded and adjusted, allowing me to concentrate on the scene rather than on the equipment. Its intuitive design makes it equally useful for architecture, cityscapes, landscapes and creative techniques where precise camera positioning is essential.
Although designed for travel, it feels reassuringly stable when the camera is mounted and ready to photograph. For me, the Peak Design Travel Tripod Aluminium is more than a support for my camera — it gives me the freedom to slow down, refine my composition and explore photographic possibilities beyond the handheld moment.
SunwayFoto T1C30N
The SunwayFoto T1C30N Carbon Fibre Tripod is a compact and lightweight tripod that combines portability with reliable support. Its carbon-fibre construction makes it easy to carry when travelling or walking through a city with a minimal setup.
Despite its small size, it provides useful stability for street, urban and architectural photography. I particularly appreciate it when working with slower shutter speeds, motion blur and long exposures. Its compact footprint also makes it practical in busy environments where a larger tripod would quickly become an obstacle.
It gives me the freedom to slow down and experiment with movement, time and carefully composed scenes. For me, the SunwayFoto T1C30N is a small but versatile creative tool that adds new possibilities to the way I photograph.
Sirui P-326 Monopod
The Sirui P-326 Carbon Fibre Monopod is a compact and lightweight support that gives me extra stability without the bulk of a full tripod. Its carbon-fibre construction makes it easy to carry during longer assignments or when travelling.
For me, a monopod is particularly useful when working with heavier cameras and telephoto lenses, where it reduces strain while helping to keep the camera steady. This makes the P-326 especially suitable for sports, events and documentary photography. Its compact design allows me to work comfortably in crowded environments where a tripod would simply take up too much space.
Setup is quick, allowing me to react immediately when the action or situation changes. I can easily move, change position and follow a subject while still benefiting from additional support. With longer focal lengths, that extra stability can make a noticeable difference in both comfort and consistency.
Benro MSDPL46C Supadupa Pro Monopod
For sports and action photography, the Benro MSDPL46C SupaDupa Pro Monopod gives me additional stability while preserving the freedom to move and react quickly. Its lightweight carbon-fibre construction makes it particularly useful when working for long periods with heavier camera and telephoto lens combinations.
The monopod helps support the weight of my equipment while still allowing me to follow fast-moving subjects naturally and reposition myself within seconds. I particularly appreciate this balance during sporting events, where stability is important but the flexibility to respond instantly to changing action is essential.
Its robust construction and practical design make it a dependable part of my sports photography setup. For me, the Benro SupaDupa Pro Monopod is not simply about supporting a heavy lens — it allows me to work longer, move more freely and stay focused on anticipating the decisive moment.
Tripods heads
For me, choosing a lens is not simply about focal length or technical perfection — it is about choosing how I want to see the world. That is why I enjoy combining my Fujifilm cameras with lenses from Fujinon, Thypoch and TTArtisan, each bringing its own character to my photography.
Really Right Stuff BH-40
For photography where precise composition matters, the Really Right Stuff BH-40 Ball Head gives me the control and stability I want from my tripod setup. Its beautifully engineered construction feels exceptionally solid, while remaining compact enough to combine with a relatively lightweight tripod.
The smooth ball movement allows me to position the camera quickly and then lock the composition securely in place. I particularly appreciate this combination of speed and precision when working with architecture, cityscapes, longer exposures and carefully considered fine art images.
Its Arca-style quick-release system also makes mounting and removing my camera fast and intuitive. For me, the Really Right Stuff BH-40 is more than a tripod head — it is a precision tool that allows me to slow down, refine the frame and create each composition exactly as I envision it.
L-Brackets
For me, choosing a lens is not simply about focal length or technical perfection — it is about choosing how I want to see the world. That is why I enjoy combining my Fujifilm cameras with lenses from Fujinon, Thypoch and TTArtisan, each bringing its own character to my photography.
JJC Arca Hand Grip Fujifilm X-Pro2
The JJC Aluminium Arca-Type Hand Grip gives my Fujifilm X-Pro2 a more secure and comfortable grip without taking away from the camera’s compact character.
The additional grip is particularly useful during longer shooting sessions and when working with slightly larger lenses. Its aluminium construction feels solid while remaining relatively lightweight. The integrated Arca-type base also allows me to mount the camera directly onto a compatible tripod head without adding a separate quick-release plate.
I particularly appreciate the extra control it provides when photographing quickly and instinctively on the street. At the same time, it preserves the clean rangefinder-style handling that makes the X-Pro2 such an enjoyable camera to use.
For me, this JJC hand grip is a small but practical upgrade that improves both comfort and versatility.
SmallRig L-Bracket Canon R6 4160B
The SmallRig L-Bracket 4160B is a practical accessory that gives my Canon EOS R6 additional stability and flexibility when working from a tripod. Its L-shaped design allows me to switch quickly between horizontal and vertical compositions without changing the position of the tripod head. This keeps the camera centred above the tripod and makes composing much more intuitive.
The plate also provides a secure and comfortable fit while maintaining access to the camera’s essential controls and connections. I particularly appreciate it for sports, long exposures and carefully composed photography. Its solid construction adds confidence without making the camera unnecessarily bulky.
For me, the SmallRig L-Mount Plate is a simple accessory that makes tripod-based photography noticeably faster and more efficient.
Really Right Stuff BGE 1 3-L
The Really Right Stuff BGE 1 3-L is a precision-made L-plate designed for my Canon EOS-1D X en Canon EOS-1D X Mark II. It provides a secure and stable connection between my camera and an Arca-style tripod system.
Its L-shaped design allows me to switch quickly between horizontal and vertical compositions without having to reposition the tripod head. This keeps the camera centred above the tripod and makes working with carefully composed images much more intuitive.
The excellent build quality and precise fit are typical of Really Right Stuff and give me complete confidence when supporting heavier camera equipment. I particularly appreciate the plate for city scapes, long exposures and other tripod-based photography. It adds functionality to the camera while remaining unobtrusive during everyday use.
For me, the BGE 1 3-L is one of those simple accessories that makes working from a tripod faster, more precise and more enjoyable.
Sirui TY-1DXL
The Sirui TY-1DXL L-Plate is a solid and practical L-bracket that I also use with my Canon EOS-1D X Mark II. Its Arca-compatible design allows me to mount the camera securely on a tripod while switching quickly between horizontal and vertical compositions.
Because the camera remains centred above the tripod head, framing stays balanced and consistent in both orientations. The robust construction is particularly well suited to the weight and size of a professional EOS-1D body. I find it especially useful for sports portraits, city scapes, long exposures and carefully composed photography. It provides additional flexibility without interfering with the way I normally handle the camera.
For me, the Sirui TY-1DXL is a simple but valuable accessory whenever stability, precision and fast orientation changes are important.